经历了2011年日本大地震的公演暂停后，Endless Shock团队在2012年重新出发，不仅继续在帝国剧场上演，并且还第一次进行了地方公演，而相应地，演出次数也倍于往年，在这过程中他们遇到的困难、挑战与遭遇的心境都是全新的，最终在四个月内达成139场，圆满成功。

「KinKi Kids」の堂本光一が作・構成・演出・主演を務める人気ミュージカル「Endless SHOCK」の舞台を映像収録して劇場公開。新型コロナウイルスの影響で一部の公演が中止となった2020年の公演「Endless SHOCK 20th Anniversary」を撮影した。ニューヨーク・ブロードウェイのショービジネスの世界で頂点を目指す若きエンターテイナーのコウイチ。彼の率いるカンパニーはオフ・ブロードウェイの小さな劇場で人気を集め、やがてそのショーを絶賛する記事が新聞に載る。ほどなくしてオン・ブロードウェイからもオファーが届き、一同は期待に胸を膨らませるが……。2000年から始まった「SHOCK」シリーズの20周年アニバーサリーイヤーの公演となった「Endless SHOCK 20th Anniversary」は、東京・帝国劇場で2020年2月4日から3月31日まで開催される予定だったが、新型コロナウイルスの感染拡大により、2月26日の公演を最後に以降は中止に。公演中止後、無観客の帝国劇場にクレーンカメラ3台を含む16台のカメラを設置し、ドローンも飛ばしながら撮影を敢行。通常の観客席からは見ることのできない視点からも役者たちの熱演をとらえた。

The Concubine (Mihiro) was promoted in Ooku Castle and her new responsibility is to teach the young shogun with carnal knowledge. After several intercourses,the concubine and the young shogun fall in love with each other. However, their love of different social rankings is forbidden in Ooku. The lady in charge orders them to end the relationship and forces the shogun to marry a noble girl. Nevertheless, no matter how hard the noble girl tries to please the shogun sexually, he can never forget the intimacy he had while making love to the concubine…

When 15-year-old Vicky Austin, her sister Suzy and little brother Rob visit their grandfather on Seven Bay Island, Vicky faces several unexpected challenges. Her beloved grandfather, retired Reverend Eaton, seems to be seriously ill, but tries to pretend that nothing is wrong. Vicky met the rich but emotionally troubled Zachary Gray the previous summer, and he reappears to renew the acquaintance. Another boy, 17-year-old Adam Eddington, recruits Vicky to help him with a research project, working with a dolphin called Basil. Vicky discovers she can communicate telepathically with the dolphin and his mate - and possibly with Adam as well

The horror begins when the 23-year-old son of Mickey is revived in the middle of his funeral. After the car crash Mickey was revived and became a person with a special touch. Able to communicate and see the spirit world.

『春への憧れ』は一種の映像詩だ。奈良でロケーションが行われており、雪と氷の季節に始まり、雪解け水が流れ出し、やがて緑の季節へと向かっていく。バックに流れるのはモーツアルトのピアノ曲のみ。

Mary Beard looks at some of the most famous nudes in art, from the Venus de Medici to Michelangelo's David, and argues controversy is nothing new.

Eat the Document is a rarely exhibited documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back [sic] chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. According to Howard Sounes's biography, "Down the Highway: The Life of Bob Dylan", after his motorbike accident in July 1966, Dylan viewed a cut of the material edited by Pennebaker and Bob Neuwirth and thought it was too similar to Dont Look Back. 　　Dylan decided to re-edit the film himself, assisted by longtime associate Howard Alk. Dylan however. Pennebaker stated: "It's not something you learn parking cars in a garage. You gotta know some of the rules and he didn't know any of the rules." It can be assumed Dylan knew some of the rules (he had, after all, seen films) and that some of the unconventional editing choices were deliberate. Dylan and Alk's cut was eventually shown to ABC television, who promptly rejected it as incomprehensible to a mainstream audience.[1] 　　The film includes some powerful live performances of Dylan's songs of the period. It was never given a theatrical release or made commercially available on video, but unauthorized bootleg copies circulate among Dylan collectors. Also circulating in various bootleg formats is a long outtake featuring a possibly alcohol- or drug-impaired Dylan in a limousine with John Lennon. As Dylan shows signs of fatigue, Lennon urges him to get a grip on himself: "Do you suffer from sore eyes, groovy forehead, or curly hair? Take Zimdon!...Come come, boy, it's only a film. Pull yourself together."[2] Todd Haynes's film I'm Not There features a dramatisation of this conversation, with Cate Blanchett as Bob Dylan. 　　Highlights of the film include an interview with the Manchester Free Trade Hall concert-goer who shouted "Judas!" during the second, electric half of the set; the performances with the Hawks; the scenes of Dylan and Robertson in hotel rooms throughout England playing otherwise-unreleased songs; and a piano duet with Johnny Cash. 　　Some of the concert footage shot for Eat the Document - including the "Judas" incident in Manchester's Free Trade Hall - was used in Martin Scorsese's Dylan documentary, No Direction Home.

Paris-based wine expert Steven Spurrier heads to California in search of cheap wine that he can use for a blind taste test in the French capital. Stumbling upon the Napa Valley, the stuck-up Englishman is shocked to discover a winery turning out top-notch chardonnay. Determined to make a name for himself, he sets about getting the booze back to Paris.